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  • Gyenes, Gitta
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  • Hotel Garni

Gyenes, Gitta (1888 - 1960)

Hotel Garni, 1932

Gyenes, Gitta - Hotel Garni | 12th Auction auction / 212 Lot
  • We provide certificate work of origin for every purchased work of art
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100x68 cm
oil on board
signed lower right Gyenes Gitta 1932

12th Auction / 212. Lot (2000-05-20)
Starting price: 1 200 000 Ft / 3 379 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

12th Auction

Date:

2000. May 20. 17:00 - 21:00

  • Conditions of sale

Style:  Art deco

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    More than 100.000 Hungarian works of art

  • We provide certificate work of origin for every purchased work of art
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Study

Exhibited:
THE COLLECTED WORKS OF GYENES GITTA, 1933.
BLITZ GALLERY, WINTER AUCTION, 1993.
KEMPINSKI GALLERY, 1994.

As a result of the exhibitions of the recent years, more and more examples turn up to prove, that the international art deco, the Neue Sachlichkeit had several Hungarian representatives, although not in a group, but one by one. In 1933 Gitta Gyenes, the well-known painter, exhibited synthetic genre-paintings, cross-sections of detached houses, cities, hotels. A pair from this series is going to be auctioned in the Kieselbach Gallery this time, a pair which is unique in the Hungarian Post-expressionist art because of its iconographic solution.

The city as topic has become more and more popular since the second half of the last century, and reached the peak of its popularity in the twenties and the thirties. The American and the European metropolises motivated the painters, for example Armand Schönberger, Hugó Scheiber, Vilmos Aba Novák, just to mention the Hungarian ones, apart from Gitta Gyenes. The paintings give a montage-like cross section of a cheap hotel. The zigzag rooms are connected with twisting stairways; in the rooms we can see extreme events (suicide, prostitution), intimate scenes (mother feeding her child, sleeping couple) side by side. The "permanently temporary" situations are continuously changing, as people just come and go here.

This type of representation was an innovation of the Neue Sachlichkeit. The Berlin painter, Otto Grosz used this technique in his ecstatic street-scapes, but he depicted the sin, the dark side of life with a critical tone. In the case of Gitta Gyenes' art, the tableau-like representation is nearer to the art deco, which avoided the direct confrontation with reality. The art deco refined even the cruelest reality with artistic devices. Extremity only served as an interesting topic. The way of painting is expressionist, first of all it is close to the German Expressionism, especially to the German expressionist films.

Gitta Gyenes applied the styles, attitudes of the Expressionism, the Neue Sachlichkeit, and the art deco to create her particular, Central European, synthesizing art.

Kopócsy, Anna

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  • Gyenes, Gitta - Still Life of Irises, 1952

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    (1888 - 1960)

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    70x60 cm

    Tempera on paper

    Signed lower right: Gyenes Gitta 1952

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  • New

    Galambosi, Edit - Still Life with Plums, 1988

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    Signed lower right: Galambosi 1988

    285 000 Ft

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    Korga, György

    (1935 - 2002)

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    Details
  •  Szőnyi, István - Bending Woman ( The Artist's Wife), c. 1924

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    Schönberger, Armand

    (1885 - 1974)

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    oil, canvas

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    (1893 - 1973)

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    875 000 Ft

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    Kuchta, Klára

    (1941 - )

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    digital print

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    65 000 Ft

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    (1874 - 1938)

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    Details
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    Ábrahám, Rafael

    (1929 - )

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    22x29 cm

    engraving

    Ábrahám R.

    32 500 Ft

    Details
  •  Szőnyi, István - Danaidák, 1923

    Szőnyi, István

    (1894 - 1960)

    Danaidák, 1923

    35,5x54 cm

    Watercolour, pastel, cardboard

    Signed upper left: Szőnyi I. 1923

    Details
  •  Szőllősy, Kálmán - Afternoon Snack, 1954

    Szőllősy, Kálmán

    (1897 - 1976)

    Afternoon Snack, 1954

    40.2x30.5 cm

    Unsigned

    135 000 Ft

    Details
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    Edvi Illés, Aladár

    (1870 - 1958)

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    50x70 cm

    Oil on canvas

    Signed lower left: Edvi Illés A.

    120 000 Ft

    Details

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