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  • Herd on Lowland (Hortobágy, Nine-Hole Bridge)

Wágner, Sándor (1838 - 1919)

Herd on Lowland (Hortobágy, Nine-Hole Bridge)

 Wágner, Sándor - Herd on Lowland (Hortobágy, Nine-Hole Bridge) | 64st Autumn Auction auction / 149 Lot
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77x140 cm
Oil on canvas
Signed lower right: Wagner S.

Provenance: From the late 1930s in the Esterházy collection, later in the property of family Marcaltői (gift giving)

64st Autumn Auction / 149. Lot (2020-09-18)
Starting price: 1 800 000 Ft / 4 922 EUR
Estimation: 2 500 000 Ft- 3 500 000 Ft
/ 6 837 EUR - 9 571 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

64st Autumn Auction

Date:

2020. September 18. 18:00 - 22:00

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Study

Müncheni professzor 

Wagner Sándor a Münchenben befutott nagy generáció tagja, abból az időből, amikor a magyar festők még benne voltak a nyugat-európai vérkeringésben. Wagner nemcsak tanult a legendás mester, Piloty szárnyai alatt, de belőle is professzor vált a bajor akadémián. (Rövid ideig Munkácsy is tanítványa volt.) Nagy lélegzetvételű, historikus kompozíciói a 19. századi művészettörténet törzsanyagához tartoznak, például a mozgalmas történeti filmre emlékeztető Dugovics Titusz önfeláldozása (1859, Magyar Nemzeti Galéria) vagy a romantikusabb húrokon játszó Izabella búcsúja Erdélytől (1863, Magyar Nemzeti Galéria). A müncheni állás megtartásához le kellett mondania magyar állampolgárságáról. Ezt fájó szívvel megtette, de – ahogy Hock János írja a Nemzeti Szalonban rendezett kiállításának katalógusában – „Minden évben eljött az Alföldre s Veszprém vidékére, tanulmányokat festeni. Csikósai, pusztai jelenetei, lóstúdiumai a magyar földnek törzsgyökeres típusai. Ami édes fajunk büszkesége, véralkata tükröződik vissza, hatalmas erővel megrajzolt alakjain, amiket érző szívének egész szeretetével karolt fel.”

Hortobágyi motívum

A müncheni professzori trióból csak Benczúr tért haza Magyarországra, Liezen-Mayer Sándor és Wagner kint maradt. Ez viszont nem jelentette, hogy elveszítették volna kapcsolatukat az anyaországgal. Wagner nemcsak rendszeresen szerepelt a hazai kiállításokon, de a jellegzetes magyar témákat is kedvelte. Ahogy a Vasárnapi Újság hírlapírója beszámolt róla 1899-ben: „Magyarországon sokat időzött, mert itt él testvére, rokonsága. Ezalatt bejárta az Alföldet, s főleg a lovakról, csikósokról s egyszersmind a népéletről készített tanulmányokat. Jellegzetes és kitűnő képek készültek ezek után. »A csikósok versenye«, ez a tűzzel teli futtatás, ez a nagy nyüzsgés a magyar véralkat találó képe. Egy hortobágyi ménes képe a múzeumi képtárban is megvan. De legtöbb magyar motívumú festménye külföldön maradt, hol magyar genre-képeit Pettenkofen művei mellé helyezik.” A most vizsgált festmény is ebben a korszakban készült, amikor kiforrottak azok a „tipikus” magyar motívumok, amelyekre azóta a turizmus alapoz: a végtelen alföldi róna, a hortobágyi szilaj csikósok, a Kilenclyukú híd és a nyargaló ménes. A világ ekkor csodálkozott rá először a közeli, mégis távoli magyar pusztai valóságra, aminek zsánereit zamatos egzotikumként vásárolták a külföldi vevők.

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