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  • Field in Nagybánya, c. 1905

Iványi Grünwald, Béla (1867 - 1940)

Field in Nagybánya, c. 1905

 Iványi Grünwald, Béla - Field in Nagybánya, c. 1905 | 75th Autumn auction auction / 53 Lot
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100 x 100,5 cm
Oil on canvas
Signed lower right: Grünwald NB

75th Autumn auction / 53. Lot (2024-10-11)
Starting price: 9 500 000 Ft / 25 889 EUR
Estimation: 12 000 000 Ft- 18 000 000 Ft
/ 32 702 EUR - 49 053 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

  • Conditions of sale

Reproduced: Modern magyar festészet, 1892–1919. Szerk.: Kieselbach Tamás, Kieselbach Galéria, Budapest, 2003, 404. kép., Szabó László: Iványi Grünwald Béla. Kossuth – Magyar Nemzeti Galéria, Budapest, 2010, 22. kép.

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Study

Irodalom

Nagybánya művészete. Kiállítás a nagybányai művésztelep alapításának 100. évfordulója alkalmából. Szerk.: Nagy Ildikó, Magyar Nemzeti Galéria, Budapest, 1996.

Magyar Vadak Párizstól Nagybányáig (1904–1914). Magyar Nemzeti Galéria, Budapest, 2006.

Szabó László: Iványi Grünwald, Corvina, Budapest, 2007.

Szabó László: Iványi Grünwald Béla. Kossuth – Magyar Nemzeti Galéria, Budapest, 2010.

 

Mikor a friss fauve-os esztétikát képviselő neósok 1906-ban felforgatták a nagybányai művésztelepet, az alapítók közül ki mogorva ellenszenvvel, ki érdeklődő kíváncsisággal figyelte őket. Iványi Grünwald ez utóbbiak táborába tartozott egyetlen tanárként, maga is kísérletezni kezdett a nagy színfoltok vad társításával. Ahogy Réti István tanártársa írta a művésztelep történetét feldolgozó 1912-es művében: „Gyorsan és elhatározottan, töprengés, gondolkodás nélkül lépett az új ösvényre, amelyen komponáló ereje, intenzív színes dekoratív harmóniaérzéke új sikereket ígértek neki.” Rum Attila így foglalta össze a váltást a Magyar Vadak kiállítás katalógusában: „Iványinak a legmodernebb művészeti fejlemények iránti fogékonyságát jellemzi, hogy korábbi tanítványainak új látásmódját, a többi vezető nagybányai mestertől eltérően nemhogy elutasította, de hatásukra – 1906-tól kezdődően – maga is új kifejezési formák után kezdett kutatni. A döntő impulzus Iványi Grünwaldot 1907 májusában érte, amikor a budapesti Nemzeti Szalon tavaszi kiállításán szembesült a francia posztimpresszionista mesterek, elsősorban Paul Gauguin műveivel.” A most vizsgált, Gauguint idéző kompozíció a franciás modern vizualitásnak a hatása alatt álló pár esztendőben született meg.

 

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