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  • Bernáth(y), Sándor
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  • Ferry of Szentendre, c. 1973

Bernáth(y), Sándor (1949 - 2012)

Ferry of Szentendre, c. 1973

 Bernáth(y), Sándor - Ferry of Szentendre, c. 1973 | 68th Auction auction / 74 Lot
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110x67 cm
Oil on canvas
Unsigned

Provenance: from the artist's legacy

68th Auction / 74. Lot (2022-05-24)
Starting price: 2 200 000 Ft / 5 995 EUR
Estimation: 3 000 000 Ft- 5 000 000 Ft
/ 8 176 EUR - 13 626 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

68th Auction

Date:

2022. May 24. 18:00 - 22:00

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Study

Bernáth(y) Sándort a nyolcvanas évekbeli (szentendrei) új dadaizmus egyik kulcsfigurájaként ismeri a művészvilág, a Bizottság zenekar alapító tagjaként (majd később a magyar techno egyik ősatyjaként). Polgár- és káderpukkasztó művészetét a sziporkázó humor és az autodidakták mindent megkérdőjelező találékonysága jellemezte. Pályája a hetvenes években indult, amikor a szocialista vidék gyáripari munkásai közé beilleszkedni nem tudó Bernáth/y (akkor még csak Bernáth) rátalált a képzőművészetre, a szomszédos faluból, Mezőszemeréről származó Bukta Imrével együtt. Példaképének Csontváry Kosztka Tivadart választotta, az ő stílusában készített tájképeket. Különböző szabadiskolákban képezte magát (Sváby Lajos, Fajó János), hogy felkészítse magát a művészeti pályára. Ahogy egy kései interjújában mondta: „Tanulnom kellett. Történelmet, művészettörténetet, szakmai ismereteket, emberismeretet, valóságtant, pina- és peceremérettant, elélvezéstechnikát, szegénység- és gazdagságtant, valamint szíjostorcsattogást szemből vagy hátulról, bürokráciatant – azaz korrupcióval való megalkuvást, hazugságmegfejtést, asztrológiát, számmisztikát és barátmegtartást, valamint családalapítást, gyermeknevelést és őszinteséget. Igen, tájképeket festettem, és »parafrázisokat«.” Ezek közé a korai „parafrázisok” közé tartozik a most vizsgált Szentendrei komp, amelyen nemcsak nagy példaképének, Csontvárynak a naiv stílusát lehet tetten érni, hanem az igazi bernáth/ys humort is a hozzáillesztett alcímben (Giccs-giccs de én festettem), amely már-már koncept gesztussá fordítja át a tájképet. Bernáth(y) ártatlan tekintettel csodálkozott rá az őt körülvevő világra, legyen az egy szigetmonostori kompátkelő, rózsadombi panoráma, szentendrei utcarészlet vagy éppen a berlini fal maradványa, amelyet egy művészeti gesztus keretében rozsdavörösre mázolt át a Tabánban.

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