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  • Mattioni, Eszter (Hollósné, Hollós Mattioni E
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  • Double Portrait, 1929 (Eszter Mattioni and Jenő Paizs Goebel)

Mattioni, Eszter (Hollósné, Hollós Mattioni E (1902 - 1993)

Double Portrait, 1929 (Eszter Mattioni and Jenő Paizs Goebel)

Mattioni, Eszter (Hollósné, Hollós Mattioni E - Double Portrait, 1929 (Eszter Mattioni and Jenő Paizs Goebel) | 75th Autumn auction auction / 73 Lot
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90 x 77 cm
Oil on canvas
Signed lower right: Mattioni E.

Provenance: Earlier in the collection of Sándor Baumgartner

75th Autumn auction / 73. Lot (2024-10-11)
Starting price: 5 500 000 Ft / 15 726 EUR
Estimation: 7 000 000 Ft- 12 000 000 Ft
/ 20 015 EUR - 34 312 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

75th Autumn auction

Date:

2024. October 11. 18:00 - 22:00

  • Conditions of sale

Exhibited: Szemtől szemben. XX. századi önarcképek, művészportrék és kettős arcképek a Szentendréhez kötődő festészetben. Szentendrei Képtár, Szentendre, 2005 (kat. 33.).

Reproduced: Verba Andrea: Paizs Goebel Jenő művészete. Gondolat, Budapest, 2009, 53.

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Study

Irodalom

Az Ernst Múzeum kiállításai. Hollós-Mattioni Eszter festményei és hímes kövei, Hrabéczy Ernő festményei, Révész István festményei, Ripszám Henrik festményei, Pólya Iván hímes kövei. Ernst Múzeum, Budapest, 1938.

Kiss Ákos: Mattioni Eszter művészete. Szekszárdi Városi Tanács, Szekszárd, 1972.

Szemtől szemben. XX. századi önarcképek, művészportrék és kettős arcképek a Szentendréhez kötődő festészetben. Szerk.: Schenk Lea, Szentendrei Képtár, Szentendre, 2005.

Verba Andrea: Paizs Goebel Jenő művészete. Gondolat, Budapest, 2009.

Gréczi Emőke: A hímeskő női mestere. Mattioni Eszter művészete. Artmagazin, 2017/8., 70–77.

 

Az öntudatos fiatal nőalak egy szál napraforgóval a kezében áll. Körülötte széles, expresszív ecsetvonásokkal megfogalmazott jégkék felhők csapkodnak az égen, arcán vad zöld és sárga reflexfények kergetik egymást. Mögötte idősebb, szakállas férfialak óvón emeli a kezét, ujjai között a gyümölcsfa vékony ágával játszva. A modern Ádám és Éva két festőművészt ábrázol, a fiatal tehetséget, Mattioni Esztert és a fantasztikus mesevilágok mesterét, a szentendrei régi művésztelepen dolgozó Paizs Goebel Jenőt. Mattionit az 1920–30-as évek női festőkben gazdag mezőnyében a kortársak egyértelműen a legjobb férfikollégák közé sorolták („komoly festőmunkát végez, amit férfiak is megirigyelhetnének” – írta róla Petrovics Elek, rengeteg friss képére utalva). Mindig fajsúlyos tényezőnek számított, akit nem kellett újra felfedezni, mint sok-sok két világháború közötti, elfeledett kolléganőjét. Fiatal művészként együtt alkotott az 1920-as évek meghatározó neoklasszicizmusát képviselő Szőnyi-körrel, 1927-ben az Aba-Novák körül verbuválódott igali művészkompániában is felbukkant (a festő haláláig jó barátja maradt), aztán a régi szentendrei művésztelepen dolgozott, ahol ez a másik barátjával, Paizs Goebellel közös kettős arcképe készült. Az igali kapcsolatainak köszönhető, hogy a kirobbanó festőiségű Mattioni-kép a legendás Baumgartner-gyűjteménybe került, első osztályú Aba-Novák- és Patkó Károly-művek közé.

 

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