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  • Composition in Golden Ratio (Composition au nombre d'Or), 1931

Laure, Garcin (1896 - 1978)

Composition in Golden Ratio (Composition au nombre d'Or), 1931

 Laure, Garcin - Composition in Golden Ratio (Composition au nombre d'Or), 1931 | 77th Spring Auction auction / 82 Lot
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92 x 73,5 cm
Oil on canvas
Signed lower right: JL Garcin, On the reverse autograph inscription: Laure Garcin 31, On the strecher: 1931

77th Spring Auction / 82. Lot (2025-05-28)
Starting price: 3 400 000 Ft / 9 255 EUR
Estimation: 4 600 000 Ft- 7 500 000 Ft
/ 12 521 EUR - 20 415 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

77th Spring Auction

Date:

2025. May 28. 18:00 - 23:00

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Study

Laure Garcin (1896, Párizs – 1978, Párizs) a két világháború közötti párizsi posztkubista iskola képviselője. Az absztrakciót a zászlajára tűző Abstraction-Création csoporttal állított ki az 1930-as években. Később az álmok képzőművészetben betöltött szerepét vizsgálta és animációs rövidfilmeket forgatott francia költők verseire. Az absztrakciót elemző női pozíciójára csak a közelmúltbeli kutatás figyelt fel. Most bemutatott képén – a szintetikus kubizmus szellemiségét követve – különféle anyagokat „montázsolt” össze, faerezetet, hímzett szőttest, mintás textileket és kottalapot. Csíkos felületek találkoznak össze egymással, tovább írva a csendélet egyes elemeinek vonalait egy másik dimenzióban. A könyvgerincből kék-sárga sávos felület lesz, a kancsó kiöntőjének árnyékából egy szőnyeg szegélycsíkja, a tál pereméből pedig egy vidám dallamot lejegyző papírlap. Garcin az aranymetszés szabályait érvényesítő kompozícióján különféle nézőpontokat montírozott össze. A faasztalra halmozott terítők, dobozok és gyümölcsök nonfiguratív, kétdimenziós mintázattá lényegülnek át a kép felső felén. Az almák a deszka sarkán mosolyognak, de az alóluk kicsavarodó sárga drapéria a szőlős gyümölcsöstál néző felé forduló síkjában végződik, már nonfiguratív arabeszkként. A körasztalok cikkelyei és a csíkos terítők dekoratív mustrává alakítják át a csendéletet hátterét. Garcin mindehhez egy gobelin szerkezeti vonallá lényegített sávját társította és egy kiolvasható kottát, megidézve a zeneiséget is a képzőművészet világán belül. Igazi játékos francia dallamok, a párizsi modernség ősforrásából. „A művészet célja, hogy zavarba ejtsen” – tanította a kubizmus társfeledezője, Georges Braque. Laure Garcin elsajátította a leckét.

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