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  • Black Curve in a Green Field, 1992

Hortobágyi, Endre (1941 - 1998)

Black Curve in a Green Field, 1992

 Hortobágyi, Endre - Black Curve in a Green Field, 1992 | 73rd Winter Auction auction / 204 Lot
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100 × 180 cm
Oil on canvas
Signed lower right: Hortobágyi E.

73rd Winter Auction / 204. Lot (2023-12-17)
Starting price: 6 000 000 Ft / 17 162 EUR
Estimation: 7 500 000 Ft- 11 000 000 Ft
/ 21 452 EUR - 31 464 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

73rd Winter Auction

Date:

2023. December 17. 18:00 - 23:00

  • Conditions of sale

Reproduced: Szerk.: Bánki Ákos és Schiller János: Egy hiányzó láncszem - Hortobágyi Endre, Garten Kortárs művészeti Alapítvány, 2021.,17. 220-221.

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Study

Irodalom

Egy hiányzó láncszem. Hortobágyi Endre festészete. Szerk.: Bánki Ákos – Schneller János, Garten, Budapest – Balatonalmádi, 2021.

Hortobágyi – The Annihilated, 2019, dokumentumfilm (rendező: Bánki Ákos, gyártó: Salamandra Film).

 

A hosszú évtizedek elfeledettsége után a remetelakból visszahozott, újrafelfedezett Hortobágyi Endre felszabadultan helyezte fel egymás mellé a franciás tachizmus széles foltjait a 90-es évek elején készült vásznára. A kékek, bordók és feketék század közepi absztrakciót idéző színskálájához egy szemtelenül modern világoszöldet társított. A szinte fluoreszkálóan zöld tömbfelületekhez vastag lila testkontúrokat illesztett, mintha nem egy ősz hajú festőművész, hanem egy fiatal graffitis rajzolta volna fel őket. A párizsias informel idomain átszűrődik a vasúti kocsik oldalán utazó feliratok tömbös betűformája. De a kortárs áthallás ellenére Hortobágyi hű maradt a franciás absztrakció ősforrásához. Fő példaképe a Jean Bazin-féle iskola természet-absztrahálása volt, bár az 1970-es években – egy rövid időszak erejéig – a geometrizáló foltok is beszüremkedtek esztétikai univerzumába. A most vizsgált nagy méretű művén mindkét forráshoz visszanyúlt.

Hortobágyi pályája az ellehetetlenített kelet-európai absztrakt festők keserű sorsát példázza. Politikai okokból börtönben ülő apja miatt nem vették fel a Képzőművészeti Főiskolára, diploma nélkül pedig nem tudott kiállítani. A 60-as évek elején mégis megtalálta az utat a legmodernebb szakmai műhelyhez, a Molnár Sándor lakásán összegyűlő Zuglói Körhöz, ahol a franciás absztrakció (informel, tachizmus stb.) tanulságait ültették át – fekete-fehér reprodukciók és lefordított szövegek segítségével – a magyar gyakorlatba. A tiltott nonfiguratívok kiállításait bezárták, de a körből többeknek, például Bak Imrének vagy Nádler Istvánnak sikerült továbblépniük a nemzetközi színtérre. Hortobágyi magára maradt, elfeledve. A szakma valósággal rácsodálkozott a rendszerváltás környékén, hogy még él. 1996-os egyéni kiállítását mégis rosszul fogadták, erről szól Bánki Ákos megrendítő, 2019-es portréfilmje. Hortobágyi újrafelfedezése az elmúlt években kapott új lendületet. Dokumentumfilm készült róla, vásárolt alkotásaiból a Magyar Nemzeti Bank, majd az életművét feldolgozó monográfia is megjelent. Végre – először – helyére került mint a franciás lírai absztrakció legérettebb magyar képviselője.

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    (1926 - 1978)

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    Fesztyné Jókai, Róza

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    Kapitány, András

    (1964 - )

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    Cs. Pataj, Mihály (Pataj Mihály)

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    Remsey, Jenő György

    (1885 - 1980)

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    (1895 - 1941)

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    Bor, Pál

    (1889 - 1982)

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    Hikádi Erzsébet

    (1911 - 2008)

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    475 000 Ft

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    Kende, István

    (1865 - )

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    49x61 cm

    watercolor on paper

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    162 000 Ft

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    Szőllősy, Kálmán

    (1897 - 1976)

    Dallies, c. 1960

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    Unsigned

    175 000 Ft

    Details
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    Szabó, Vladimir

    (1905 - 1991)

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    pencil on paper

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    50 000 Ft

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  •  International News Photos - The Paintress (Mari Blanchard), after 1950

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    23.5x18.9 cm

    Signed lower left: 3036-4

    125 000 Ft

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    Oil on fibreboard

    Signed back: Donáth Gyula

    78 000 Ft

    Details

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