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  • Autumn, c. 1980

Földi, Péter (1949 - )

Autumn, c. 1980

 Földi, Péter - Autumn, c. 1980 | 2. Postwar and Contemporary Auction auction / 39 Lot
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101x200 cm
Oil on canvas
Signed on the reverse autograph inscription: "Ősz" Olaj, vászon, 101x200 cm, Földi Péter

Provenance: Earlier in the collection of Kolozsváry

2. Postwar and Contemporary Auction / 39. Lot (2023-04-21)
Starting price: 6 500 000 Ft / 17 893 EUR
Estimation: 8 500 000 Ft- 12 000 000 Ft
/ 23 398 EUR - 33 032 EUR

Attention! The values indicated in other currencies than HUF are for infomational purposes only. The basis of the exchange rate is always the one valid on the date of payment.

For this work of art, we provide certificate of origin!

2. Postwar and Contemporary Auction

Date:

2023. April 21. 18:00 - 21:00

  • Conditions of sale

Exhibited: 1981. Földi Péter egyéni kiállítása, Vigadó Galéria, Budapest

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Study

A vidéki Magyarország – még mindig mesékkel teli – látványvilágának kevés festője van a kortárs képzőművészet területén. Az egyik a huszárokkal álmodó Somogyi Győző a Káli-medencebeli Salföldről, a másik a falusias hétköznapokat mítosszá átlényegítő Földi Péter a Nógrád-megyei Somoskőújfaluból. Az ezópusi állatmesék hagyományát továbbgondoló Földi groteszk látásmódja a 70-es évek közepére forrt ki. Ihletének fő forrása saját szülőfaluja, Somoskőújfalu, de a népi hagyományokat – a gyerekrajzok őszinteségével és tisztaságával – saját festői univerzummá gyúrja át. A háttér rendszerint egyszínű síkfelület, metafizikus mélységet adó, a perspektívát elhagyó színtér, ahol a különös figurák élhetik életüket. A most vizsgált alkotás – ami egykor a neves Kolozsváry-gyűjtemény része volt – groteszk, stilizált vörös malacok között kapáló parasztasszonyt ábrázol, almafákkal teli őszi kertben. Mint az archaikus mítoszokban, ebben a mikrovilágban is benne van az emberi lét teljessége, a teljes életciklus, az újszülött állttól kezdve a kifejlett alfahímig. Ahogy Hann Ferenc írta a fiatal Földi festészetéről az 1979-es Művészet hasábjain: „A felszínen látványosnak ható formai megoldások mögött elemi erejű, az emberi lét alaphelyzeteire rákérdező problémahalmaz feszül. Indítékai bizonyítják, hogy nem az esztétikus látvány érdekli, hanem a valóság igazságtartalma. Nem feladata egyetemes emberi kérdések megfejtése. Nem is vállalja ezt, de felveti, előadja, súlyozza, rákérdez.” Az aprólékos, beszédes felületű, hol állatszőrt imitáló, hol mustraként szétterülő, érzéki ecsetkezelése olyan különös látványvilágot teremtett ritka korai korszakában, amit Csontváry festőiségéhez lehet csak hasonlítani.

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